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"Tango with a paintbrush": Community participation in the drafting of unesco's ich nominations |
2020 |
Marmol Cartana, Camila del |
Disparidades. Revista de Antropologia |
|
“The Rain Order Ceremony” in the Mayan mam communities of San Ildefonso Ixtahuacan, Guatemala: An ancestral custom endangered of demise |
2022 |
Nieves, Andrea Oliva, Chornet, Vicent Gimenez |
Cultura y Religión |
|
"To each their own": The Black Social Clubs and the immateriality of the place in the cultural production of the real |
2019 |
Braga, G.G. |
Sociedade e Cultura |
|
"Tradition," Internal Debates, and Future Directions: The Concept of Tradition and Its Relation to Time in the Practices of the Chinese Seven-Stringed Zither |
2009 |
Tsai, Tsan-huan |
???? |
|
"Tradition," Internal Debates, and Future Directions: The Concept of Tradition and Its Relation to Time in the Practices of the Chinese Seven-Stringed Zither |
2009 |
Tsai, Tsan-huan |
???? |
|
"Un santuario amenazado": el cerro Pachjiri de Bolivia y su salvaguarda en el marco del Patrimonio Cultural Inmaterial de la UNESCO |
2014 |
Fernández Juárez, Gerardo |
Revista de antropología social |
|
"Un santuario amenazado": el cerro Pachjiri de Bolivia y su salvaguarda en el marco del Patrimonio Cultural Inmaterial de la UNESCO |
2014 |
Fernández Juárez, Gerardo |
Revista de antropología social |
|
"We also want to have our own traditions”. Research methods, defining and practicing intangible cultural heritage in the Polish Western and Northern Territories |
2020 |
Paprot-Wielopolska, A. |
Lud |
|
"We also want to have our own traditions”. Research methods, defining and practicing intangible cultural heritage in the Polish Western and Northern Territories |
2020 |
Paprot-Wielopolska, A. |
Lud |
|
"We are brand." Tourism and UNESCO brand in the Intangible Cultural Heritage |
2019 |
Jiménez de Madariaga, Celeste, Seño Asencio, Fermín |
Pasos-Revista de Turismo y Patrimonio Cultural |
